Rien ne va plus is a photofilm, a love story between the souls of two people who died at the same time: Igor, a refugee from Azerbaijan, and Kah, the murdered wife of a diplomat. A film about geographical, physical and spectral borders.

A film director is making a film about a woman's obsession with a foreign desert, starring drama students at the Paris Conservatory of Dramatic Arts.

“Describe a lost film by Lionel Soukaz; it was called La Vérité nue. And to do so, evoke the figure of the filmmaker, who passed away this year.” 　　Made after Soukaz’s death, this film, almost without images, is an elegy and a testimony. In it, Xavier Baert meditates on Soukaz’s cinema, on their relationship, and on the survival capacity of images: how to describe what has been lost.

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Actress Glenn Close can transform herself into different roles like a chameleon. Behind this versatility lies an artist who had to get over a lot in her personal life to become the star she is today. Close looks back on her long career of prestigious filmmaking.

Paul Anselmini is a former mobster and businessman. A romantic character, a barbouze with no morals, no scruples, no values other than himself. Alone, yes, but free and once powerful. But this freedom is precisely what Commissaire Perdrix and Lieutenant Webb have come to take, two cops lost in a country and a time that are not their own.

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A brave and talkative wine merchant, Eugène Barbentin drives his son Pierrot out of the family home, because he has given birth to his girlfriend. His wife then reveals to him that he is not Pierrot's father and she flees with her lover. Abandoned, Eugene will be saved by his mother who will restore the situation with energy and determination.